To give substance to the stone, metal and flesh of this world,Īnd he has succeeded. Instead of focusing on surface decoration, Cawthorn has attempted Cawthorn's book is simultaneously the leastĮlaborate and the most visually effective book discussed here. Styles of comic book art, and judging by Jim Cawthorn's Jewel in the Skull, he may have a point. "In the introduction to Swords of Heaven, Flowers of Hell Moorcock expresses his distaste for the more baroque American James Cawthorn's sequel to The Jewel in the Skull is The Crystal and the Amulet. Pulped very rare mis-printed edition of The Jewel in the Skull, with non-facing double-page artwork, exists. The latter drew the very first Elric illustration (see the Cawthorn portfolio in the Pictures section), and his artwork-designs often provided visualisation assistanceįor characters and scenes in the Hawmoon novels. Moorcock have been a team since their first meeting in the middle Cawthorn (Mike's preferred artist for his fantasy stuff) and The first in Savoy's large format adaptations of Michael Moorcock's Dorian Hawkmoon 'Runestaff' books, co-published by Savoy and Peter Ledeboer's ' Big O' imprint (the distribution arm of '60s underground mag OZ), with in-depth Cawthorn interview by David Britton. On the American edition of Jungle Tales of Tarzan by Burne Hogarth. A graphic novel before there were any (UK-originated ones), modelled
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